The ‘Sorrow’ of Artificial Intelligence Intervening in Artworks

Authors

  • Wen Tao

DOI:

https://doi.org/10.37420/j.cer.2024.095

Keywords:

artistic reception, artistic creation, artificial intelligence

Abstract

This article intends to analyze the root causes of the current controversy surrounding the application of artificial intelligence technology in artistic creation from the perspective of art appreciation. This article posits that artificial intelligence technology, as a new form of productivity, has enriched the creative arsenal of artists. Secondly, as a form of creative intellectual labor, artistic creation should focus on conveying emotions and ideas, rather than becoming mired in ‘technological accretion’ as an end in itself. Finally, art producers should adapt to the times, learn artificial intelligence, embrace artificial intelligence technology, and make artificial intelligence technology an important means of presenting works. The innovation of this article is that it not only analyzes the “controversial” phenomenon caused by the involvement of artificial intelligence in artistic production from the perspective of art appreciation, but also “rectifies the name” of the application of artificial intelligence technology from the perspective of artistic creation.

Author Biography

Wen Tao

School of Media, Yanching Institute of Technology,China

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Published

2024-12-08

How to Cite

Tao, W. (2024). The ‘Sorrow’ of Artificial Intelligence Intervening in Artworks. Communication & Education Review, 5(1). https://doi.org/10.37420/j.cer.2024.095